The Selecting Hand 78"x224" oil on canvas, 1986, #2333 The figures here are entirely suggestive, dressed as they are in ripped garments and tormented skin, ambiguous as fleeing birds. The pigments that created such chalk-white bones are alive, angry, and suffering. The paint spins away in pain from the force of the brush. If words were similarly consumed we would hear their meanings crackling, and the ink would arrive on the page in burnt parts and brown sheaves, so that it spoke "s cr ice" instead of "sacrifice". Imagine the surprise of paleological man when he first saw his footprint drying in the mud or felt his hand pressed upon a wet cave wall, and recognized himself in the impress. In that accidental way, the history of the hand would begin. Why has mankind come at last to this altar in Hell? to escape from all concepts of self and survival, to pick and choose victims, to wash hands and reject issues, to have a touch of death in a ditch, to fly away in a scream of cloud. —William H. Gass 2014 Written specifically for The Selecting Hand
Portrait of Simon Hafftka, father of the artist and a Holocaust survivor 46"x37" oil on canvas, 1994, #3404	History Lesson 78"x100" oil on canvas, 1997, #3819	Survivors 78"x62" oil on canvas, 2003, #4500
Babel 60"x48" oil on canvas, 2008, #4917	Barbed 36"x24" oil on canvas, 2008, #4919	Blindfolded Hasid 60"x48" oil on canvas, 2008, #4929	Fissure 60"x48" oil on canvas, 2010, #5077
Audience 60"x96" oil on canvas, 2011, #5133		Eight Turns 40"x60" oil pastel on panel, 1980, #590a
	The Bare Minimum 40"x30" oil on canvas, 2011, #5097	Woman Giving Birth 40"x50" oil pastel on panel, 1981, #751